Explaining with interaction

Some interfaces do not sit in front of an explanation; they are the explanation. This chapter reads three people who work that way: Bartosz Ciechanowski, whose articles open with a machine you can drag; Amelia Wattenberger, who turns data and code into things you can see and steer; and Maggie Appleton, whose digital garden is both an argument about publishing and a catalogue of interface patterns. The figure is the argument.